Revolutionary Comics




For the final post of Georgian History month, I’d like to introduce the talented writer and comic artist Laura Neubert, the creator of “The Light Eater” webcomic, a lovely and atmospheric Gothic paranormal fantasy set during the time of the French Revolution. She’s here to discuss her favorite 18th century set comics– focusing mainly on ones set during the American and French revolutions. These comics by groundbreaking comic artists like Lora Innes, Ryoko Ikeda, and Dylan Meconis are all revolutionary comics, in both senses of the word.

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Ahh the 1700’s. What a romanticized point in Western history. Certainly, this is due in no small part to the two revolutions that capped off that century. Is it any wonder that so many artists, authors and artistic types have turned their attentions toward the latter end of that 100 year period? The drama of revolution is inescapable, hell, the word itself means to change, or to turn. Place nearly any sort of character in the context of such turmoil and the drama is just about inherent. In some ways, it seems even terribly fitting that creators of comics would take on this period in time, since William Hogarth’s prints, which are considered an early precursor to sequential art appeared during this time, and often commented on many of the conditions and social misconceptions that helped lead to some of the revolutionary fervor in France. With that in mind, let’s take a step back in time and give the works of a few talented authors a closer look.

First off, let’s handle things a bit chronologically. So let’s turn our attention to “The Dreamer”, arguably one of the most well-known web-comics in America. Written by Lora Innes, the story concerns a young modern-day lass named Bea who seems to travel back in time to the American Revolution when she sleeps. Perhaps it’s only a dream, a vivid, intense dream, but, Bea seems to have an established life in the past, she even has a paramour there, the dashing, charming Alan. It is not only Bea, but also the reader who must wonder which time frame is real and which is the dream. Is our heroine merely imagining this complex story of such an important point in American history, or is she actually rushing back and forth through time? Is she only one person, or two? How can one person exist in two places at once? Continue reading “Revolutionary Comics” »

It’s Georgian History Month!




Since Marie Antoinette’s birthday was a few days ago, I’d like to wish the queen a belated happy birthday, and announce that it’s Georgian/18th century month on my blog!

I’m excited to announce that my Author of the Month is my favorite romance author, Sylvia Halliday, aka Louisa Rawlings and Ena Halliday, author of romance classics like “Promise of Summer” and “Summer Darkness, Winter Light.” My Artist of the Month is Niroot Puttapipat, the tremendously talented Thai-born, London-based artist who has worked on many Jane Austen editions, including the Bath Bicentenary edition of “Sense and Sensibility.” We’ll be having reviews of Arabella Stokes’ brand spanking new Georgian romance “Proof of Love”, in addition to guest posts from Isobel Carr (aka Kalen Hughes), and a giveaway of Isobel’s new book “Ripe for Scandal”!

If this isn’t cool enough, we’ll also be featuring a special giveaway of Sylvia Halliday’s “Summer Darkness, Winter Light,” where Sylvia will be autographing a hardcover edition for the winner! There’ll be more– including a post on 18th century comics by artist and illustrator Laura Neubert– so be sure to check back in!

Miss Elliott and the Eldritch





Miss Elliott book cover by *suburbanbeatnik on deviantART

This is the book cover I designed for Laura Neubert’s “Miss Elliott and the Eldritch,” a dark and wonderfully creepy Lovecraft/Jane Eyre mash-up story originally published by the late great Dark Valentine magazine. Traxy– at the great Squeee blog– has just reviewed it.

It is no longer available on the DV website, but you can buy it here on Lulu for the very reasonable price of $1.99. If you love Jane Eyre or Lovecraft– or if you just like a good chilling tale where a plucky governess confronts an indescribable cosmic horror– check it out! You won’t be disappointed.

The art is by Laura Neubert, by the design is by me. The title font is “Ink in the Meat,” courtesy of Billy Argel designs.