For February’s Artist of the Month, I’d like to introduce indie music mogul-ette and gallery artist Arabella Proffer. Arabella is well known for her wild but regal portraits of imaginary aristocrats from an alternate history that combine both the ruffs and corsetry of Elizabethan England and the punk rock styles of 1980s LA. She has a new book out– The National Portrait Gallery of Kessa: The Artwork of Arabella Proffer– from Cooperative Press, and she’s here to talk about her artistic inspirations and the story behind the genesis of her imaginary kingdom, Kessa.
Hi Arabella! Where are you from? What led to you attend Art Center College of Design– and later, CalArts? Why did you leave California? Has your frequent traveling informed your artistic process?
I was raised in Ann Arbor MI, but moved to Laguna Beach CA when I was 16, and then Dana Point. I always found Orange County to be boring– aside from the punk shows– so I spent every second I could up in Silverlake and Hollywood. I always knew I was going to attend art school somewhere in California, since 7th grade really, so it was good timing!
I was accepted into a program at Art Center and did a few months there, but it was very geared toward design and I just wanted a looser environment. CalArts was better for me because I could take animation and film courses while being in the Art department; my plans were to work in the film industry because I knew I wasn’t going to get out of school selling $20,000 paintings! At the time, the program was really into installation art and uber conceptual stuff, they really didn’t like painting. I found myself taking more animation courses because it required so much damn drawing, whereas the art courses were a lot of lectures (mostly). It’s kind of funny to me that I went back to painting and dropped doing films, I totally thought I would be working at an animation studio or would have become a film editor. Continue reading “Artist of the Month: an interview with Arabella Proffer” »





